As we follow the journeys of three characters through Algeria and meet its people, the film questions the country, the territory, the history and the place we can occupy within it.
We cross Algeria’s history through three main characters: nowadays with Boubkeur (The Wanderer), a solitary and silent traveller; in 1996 with Bhar (The Archivist) investigating a sprawling network of traffic and influences directed by a mysterious man named SK and an indefinite time and space with Djamil (The Shadow). All three, in constant movement, seem to be looking for something. During their journeys, we come across activists, demonstrators, hunters, archives of political struggles, women weavers, and poets. The archivist’s investigation gets complicated. The Wanderer gets lost in the woods, and the mirages intensify. Where will all this lead us? No one knows. In a gigantic lark mirror, we witness the hopes, journeys, joys and illusions of people wandering in a constantly changing Algeria. Those women and men are torn between deployed laughter and barely feigned tears as they are coming out of more than 15 years of civil war, a period when chimaera was documenting reality.
