Doha Film Institute
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In Sharm El Sheikh, a tourist hub that has been the target of terror attacks in recent years, young Egyptian workers are trapped between a liberal Western lifestyle and their traditional culture.
Representing freedom and easy cash, Sharm El Sheikh has long been a dream destination for Egyptian youth. Recently, terror attacks have brought tourism in the resort town to a halt. ‘Dream Away’ follows a group of young employees of a luxury hotel compound, where clichés and stereotypes of Western and Oriental cultures clash. This carousel-like experience elevates the youths into a dreamlike state; in the shadow of the shimmering hotel facades, they lead double lives, their families unaware of the sinful temptations of the town. Still, they are torn in the face of the prevailing Western culture: for some the liberal values represent long-dreamt-of independence, while for others it is simply not enjoyable. While leaving is not an option – it is too difficult to jettison their liberal lifestyle and return to their traditional culture – they now lack both financial and personal opportunities, and find themselves on an existential quest for identity.

Credits

Director
Marouan Omara, Johanna Domke
Producer
Roman Roitman, Mark Lotfy
Cast
The directors do not yet have formal agreements with the film’s main characters; one of the goals of the development phase is to determine who exactly the characters are. That being said, the directors have developed close relations with a number of people in Sharm Al-Sheikh who understand the nature of their filmmaking project and are potential characters in the film. These individuals represent a variety of the “types” of young Egyptians who travel to work in Sharm Al-Sheikh.
Sameh is of a rural background, who is conveniently married to a 60-year-old British woman who vacations regularly in Sharm Al-Sheikh and supports him there year-round. Sameh spends his free time drawing portraits of girls, that he meets in cafés. Then there is Zaki, an avid reader of poetry from the provinces who works as a high-profile DJ and is convinced that the party world in Sharm Al-Sheikh is the perfect life for him. Fatima seeks a career in hotel management, but discovered that she had to remove her veil in order to work in Sharm Al-Sheikh. She is uncomfortable with the cultural attitudes and practices around her, and yet she also chose to marry a colleague there in order to obtain freedom from her controlling family. Another character is Medhat, who has only limited English skills but boasts a bodybuilder’s muscles and enters into many relations with foreign women. Medhat was once homeless, and his forged connections with foreigners helped him to eke out a living, and yet his conscience continues to nag him about the moral ethics of his romantic encounters.

About the Director

Marouan Omara
Marouan Omara is a documentary filmmaker from Egypt. He studied Applied Arts at Helwan University, and filmmaking at the Academy of Cinema, Arts and Technology in Egypt. His works seek to express a dreamlike notion by exploring the overlap of fiction and reality. He currently teaches film and video at the German University in Cairo and is an adjunct professor in film production at the American Uni
Johanna Domke
Johanna Domke is a visual artist and filmmaker from Germany. She studied Fine Arts at the Royal Danish Art Academy and the Malmö Art Academy, and attended the Postgraduate Programme in Film at the Media Art Academy in Cologne. She produces work that lies in the space where art and cinema meet, with a combined structural and socio-political approach. Her work has received considerable attention at

Producers

Roman Roitman

Roman Roitman is a film producer. In 2010 he graduated from Russian State University for the Humanities in Moscow with a diploma in Journalism. Since 2002, he has been involved in several theatre and film productions in the roles of director, author, dramaturge and assistant director. Roitman participated in the Producers Workshop at the Festival de Cannes and was selected for Simon Perry’s International Producing programme at ifs/Cologne. In 2015, he co-founded Monokel, a production company supported by Mediengründerzentrum NRW. The same year, he won the Film Prize of the Robert Bosch Stiftung, was selected by the Film- und Medientstiftung NRW for the Rotterdam Lab at CineMart, and participated in EURODOC@NRW, EAVE@Cologne and ACE@Cologne.

Contacts