Amateurs, Stars and Extras or the labor of love, looks at the invisible work of care through different languages and different groups of people talking about domestic work. Through casting, TV series sets, acting and extras, the domestic workers’ syndicate in Mexico city, a group of friends in Beirut, Joy a migrant worker from Beirut, ASE or the labor of love is set in the backstage of scenes blurring the division between stage and backstage and looking at the dark side and the pillar of economy: underpaid/unpaid labor of domestic work, mainly performed by women. The question would then be, how to resist this mode of reproductive work? ASE or the Labor of Love is a layered film where the set of filmmaking becomes an open space for thinking and generating politics, leisure and resistance. What is work? How can we resist it? In a continuous dialectic between work as representation and the representation of work and its exploitations the film has an optimistic take on collectivities and collective political projects.