Doha Film Institute
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Jean de Brunhoff’s beloved elephant comes to the screen in this animated retelling of his first four books. When tragedy drives young Babar from the Great Forest, he finds his way to the city, where a kind old lady takes him in, dresses him in his famous green suit and teaches him the ways of the human world. When his friends bring news of trouble at home, Babar must return to his people, and learn to be king.
Narrated by Marabou the stork, this animated feature tells the story of how Babar became king. In the Great Forest, the young elephant plays happily with his friends Arthur and Celeste, until a hunter’s bullet takes his mother and he flees in terror, running until he reaches the city. There, a kind old lady known only as Madame takes him in. She buys him his green suit, red bow tie and bowler hat, and raises him as her own, teaching him to read, to drive and to mind his manners. Two years later, Arthur and Celeste track him down with news from home: the old king has died, and the elephants are at war with the rhinoceroses. Babar knows he must return.

Back in the forest, Babar’s cleverness ends the war without a drop of blood, and the elephants ask him to be their king, on one condition: that Celeste becomes his queen. Together, with Madame’s help, they set about building a city for their people, which Babar names Celesteville. Drawn in the clean, gentle lines of de Brunhoff’s classic picture books and told with songs, slapstick and real tenderness, ‘Babar: King of the Elephants’ is a story of loss, growing up and learning to lead, made for the youngest filmgoers and the grown-ups who remember the books.

Credits

Director
Raymond Jafelice
Screenwriter
Raymond Jafelice, Peter Sauder
Producer
Hasmi Giakoumis, Merle-Anne Ridley
Editor
Karen Lawrie, Noda Tsamardos
Music
Tom Thorney, Tim Thorney, Peter Coulman, Brent Barkman, Carl Lenox
Cast
Dan Lett, Kristin Fairlie, Janet Laine-Green, Chris Wiggins, Elizabeth Hanna

About the Director

Raymond Jafelice
Raymond Jafelice is a Canadian animation director whose career at Toronto’s Nelvana studio spans more than four decades of children’s television and film. He began as a storyboard artist on ‘The Care Bears Movie’ (1985) and directed ‘The Care Bears Adventure in Wonderland’ (1987), before working on series including ‘Babar’, ‘Little Bear’ and the first season of ‘Redwall’ (1999). His features inclu