Doha Film Institute
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Forty years after her arranged marriage as a child, Hawa is eager to finally begin an independent life and to be literate. However, with the return of the Taliban to power—her dreams and those of her daughter and granddaughter are shattered.
Filmed over five years, “Writing Hawa” is the story of three generations of Hazara women from the same family in Afghanistan. With unique access and empathy, director Najiba Noori films her mother Hawa and her niece Zahra in their aspirations to emancipate themselves from patriarchal traditions.
Forced into marriage as a child, Hawa is 52 years old when she can truly start learning to read and write. With the support of her daughter, she opens a small textile business: she searches for traditional Hazara embroideries in the Bamiyan region and turns them into modern dresses to sell in Kabul.
Hawa eventually saves her granddaughter Zahra from her abusive father in a remote village and brings her to the capital. There, they study together and make plans for the future. However, the takeover by the Taliban in August 2021 turns the lives of the three women upside down: Zahra has to return to the village she escaped from, and Najiba is forced to flee the country, living as a refugee in France. From afar, she helps Hawa continue fighting for her dreams.

Credits

Director
Najiba Noori, Rasul Noori
Screenwriter
Najiba Noori, Afsaneh Salari
Producer
Christian Popp
Production Company
TAG Film

About the Director

Najiba Noori
NAJIBA NOORI (author, director) was born in 1995 in Bamiyan, Afghanistan. She began working for media organisations as a volunteer when she was just 15. She has participated in several workshops for photography and filmmaking in Kabul, Afghanistan. She has made reports and photo stories for various organisations and agencies, including the AFP, Huffington Post, MSF, FMIC, NRC and UN Women in Afgha
Rasul Noori
RASUL NOORI (co-director) was born in 1994 in Bamiyan, Afghanistan and graduated in journalism in Kabul. He has made several short videos for NRC, GIZ, and FMIC in Afghanistan. He was one of the cinematographers of the short film “Hoof” with the American Company Hungry Man in Bamiyan.
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