Sara Flores is an Indigenous painter from the Peruvian Amazon, one of the last practitioners of the visionary art of kené: a sophisticated design system of the Shipibo people, rooted in reciprocity and ancestral knowledge. After a lifetime without recognition, Sara, now in her seventies, is suddenly sought after in the global contemporary art world, becoming the first Shipibo artist to exhibit internationally. The film follows Sara over two years as invitations from galleries, institutions and luxury brands multiply, upending her life. The rising value of her work transforms her family’s circumstances but also brings new pressures and tensions within her community. Moving between the Amazon and cities including Miami, New York and London, she struggles to reconcile her values with the excesses of the global art market, leading to a growing sense of dislocation. Upon returning home, Sara’s body begins to fail. As medical uncertainty gives way to spiritual interpretations, her condition becomes intertwined with deeper questions of imbalance within herself, her community and the land. A return to her territory, now marked by environmental destruction, sparks a political awakening. Sara begins to transform her practice into a tool for resistance, creating a new body of work that asserts the cultural survival and sovereignty of the Shipibo Nation.