Doha Film Institute
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Set in 1950s colonial-era Zanzibar, ‘Tug of War’ follows a pair of star-crossed lovers Denge, a young but ardent political revolutionary and Yasmine, a runaway bride fleeing an arranged marriage. In their forbidden romance, they are united in their commitment to the revolution for an independent Zanzibar as well as to their love for one another. Joined by Yasmin’s confidant Mwajuma, the trio journey through the island’s diverse communities that—although demarcated by superficial British racial classifications, are unified through their shared cultural roots. Based on the award-winning Swahili novel by Adam Shafi, ‘Tug of War’ paints an engrossing portrait of Zanzibarian history and its struggle for independence from colonial rule.
Set in 1950s colonial-era Zanzibar, ‘Tug of War’ follows a pair of star-crossed lovers Denge, a young but ardent political revolutionary and Yasmine, a runaway bride fleeing an arranged marriage. In their forbidden romance, they are united in their commitment to the revolution for an independent Zanzibar as well as to their love for one another. Joined by Yasmin’s confidant Mwajuma, the trio journey through the island’s diverse communities that—although demarcated by superficial British racial classifications, are unified through their shared cultural roots. Based on the award-winning Swahili novel by Adam Shafi, ‘Tug of War’ paints an engrossing portrait of Zanzibarian history and its struggle for independence from colonial rule.
A coming-of-age political drama about love and resistance, the film is intensely rich in texture, passion and colour—from the vibrant traditional taarab soundtrack to the vivid period costuming. Our two freedom fighters, played charismatically by Gudrun Columbus Mwanyika and Ikhlas Gafur Vora, also have incredible on-screen chemistry. Through an overarching story of universal love, ‘Tug of War’ offers a deeper, more refined narrative about oppression and subservience in a colonised society. A place where even the bravest and most independent of thought struggle to find a secure foothold on their confiscated land.

Credits

Director
Amil Shivji
Screenwriter
Amil Shivji, Jenna Bass
Producer
Steven Markovitz, Amil Shivji

About the Director

Amil Shivji
Amil Shivji was born in Tanzania and is a filmmaker and lecturer at the University of Dar es Salaam. He believes in using images to challenge the powers that be, in particular, deconstructing urban facades of development and emphasizing the strength and struggles of marginalized communities. Amil has written, directed and produced short films that have participated in Rotterdam and FESPACO, winnin
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