Doha Film Institute
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Following the extremist takeover of northern Mali, a proud cattle herder comes into fateful conflict with the fundamentalist rulers of the provincial capital.
Timbuktu, a historic and multicultural city in the West African nation of Mali, is taken over by foreign terrorists, who impose draconian rules on the population, determined to strike down the reign of peace and tolerance. All at once, everything seems to be a transgression; as such, everything deserves punishment. Smoking and playing music is forbidden; joining in a match of football will get you 40 lashes. Many flee the city, but others are willing to risk their lives in a show of resistance.

In portraying a largely overlooked human tragedy, acclaimed director Abderrahmane Sissako chooses a subtle, patient tone to observe the terror that creeps into the minds and souls of the gentle people of the city as they are gradually prevented from living ordinary lives. Sissako employs metaphor in a remarkably natural way (one especially heartrending example is a sequence of children playing football without a ball), taking pause to examine the inhabitants’ and the terrorists’ inner struggles. Beautifully shot and scored, ‘Timbuktu’ – which was nominated for the Academy Award for Best Foreign Language Film this year – is a striking and unsettling cry for help against intolerance and a powerful celebration of human dignity.

Credits

Director
Abderrahmane Sissako
Screenwriter
Abderrahmane Sissako, Kessen Tall
Producer
Sylvie Pialat, Abderrahmane Sissako, Étienne Comar
Cinematographer
Sofiane El Fani
Editor
Nadia Ben Rachid
Production Company
Les Films du Worso, Dune Vision
Sales Company
Le Pacte
Music
Amine Bouhafa
Cast
Ibrahim Ahmed, Toulou Kiki, Abel Jafri, Fatoumata Diawara, Hichem Yacoubi, Kettly Noel, Mehdi A.G. Mohamed, Layla Walte Mohamed, Adel Mahmoud Cherif, Salem Dendou

About the Director

Abderrahmane Sissako
Abderrahmane Sissako was born in Kiffa, Mauritania, moved to Mali as a child, and studied cinema at VGIK in Moscow. One of only a handful of African directors whose work has reached an international audience, he made several short films, among them ‘The Game’ (‘Le Jeu’) (1989), ‘October’ (1993), winner of the Un Certain Regard Prize at the Festival de Cannes, and the medium-length ‘Rostov-Luanda’