Doha Film Institute
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In the shadows of recent eruptions, several professional actors and non-actor professionals portray a dynamic of human-nature relationships in one of the most active stratovolcanoes in the world, Mount Merapi.
Repressed by state-sponsored violence, a mystic is determined to remain on his land in the foothills of Mount Merapi. Nothing can change his determination to stay and keep practising his belief of being one with the mountain. On the other side of the ridge, a volcanologist—gaining knowledge from earth-sensing technology—declares that mitigation is the only way for humanity to survive the colossal eruption of Merapi that he predicts. Not far from where the volcanologists conducted their research, the sand mining industry blooms. While documented by a filmmaker, one miner contemplates the impact of sand mining and the extraction economy on the community, the mountain, and his psyche. Meanwhile, in Merapi, everything is connected to the presence of paramilitaries.

Formed between factual and fictional, future and past, material and incorporeal, scientific and magic, 'Monisme' reflects the intermingled relationships between people in Mount Merapi. Constructed through a spirit of collective filmmaking, the film trips to a place where actuality is intertwined with myth and legend.

Credits

Director
Riar Rizaldi
Producer
B.M. Anggana
Production Company
New Pessimism

About the Director

Riar Rizaldi
Riar Rizaldi is an artist and filmmaker. He works predominantly with the medium of moving images and sound, both in the black-box of cinema settings and in spatial presentation as installation. His artistic practice focuses mostly on the relationship between capital and technology, labour and nature, worldviews, genre cinema, and the possibility of theoretical fiction. His works have been shown at

Producers

B.M. Anggana

B.M. Anggana, personally known as Eng/Ang, is an Indonesian theatre artist/film producer based in Yogyakarta. He is the founder and director of Komunitas Sakatoya, an art collective working on art management and theatre production focusing on ecological issues. He has produced several music videos, theatre and dance productions, and short films. In 2019 he was appointed as the Program Manager for Indonesia Dramatic Reading Festival. In early 2020 he completed professional development training in Management Production at the Art Centre Melbourne, fully funded by the Australia Council for the Arts. He also produced a full-length performance film by visual artist Natasha Tontey ‘The Order of Autophagia’, which premiered at Kyoto Experiment 2021.

Contacts